Jessica Mensch’s work straddles painting, video, music, stage design, and installation, inviting contemplation between these spheres of production and the position of women within them. Mensch received her MFA from Hunter College in 2019 and currently teaches in the Art Department at St.FX University in NS. She has received support from the Canada Council for the Arts and was shortlisted for the RBC Painting Prize. She has participated in national and international residencies and exhibitions. Mensch also works collaboratively with artists Emily Pelstring and Katherine Kline to produce Sistership TV, a web series that explores topics such as telepresence and animal communication.
B O D Y interviews Scott Kiernan, a New York-based artist whose video, photo and installation works interact in ways that address their own materiality and means of distribution.
Anna Hawkins is an artist who works primarily in moving image and installation with an interest in the ways that images, gestures and language are circulated and transformed online and the impacts of technology on the intimate spheres of daily life.
Weaving together disparate references spanning across histories and geographies, German interdisciplinary artist Johanna Strobel explores the entanglement between philosophy, semiotics, and actuality.
Padma Rajendran’s works on fabric experiment with the clash and combination of patterning and storytelling. She received her MFA from Rhode Island School of Design and teaches drawing at Vassar College.
Mi’kmaq/L’nu artist and author Michelle Sylliboy was born in Boston, Massachusetts, and raised on her traditional L’nuk territory in We’koqmaq, Cape Breton. Her published collection of photographs and L’nuk hieroglyphic poetry, Kiskajeyi—I Am Ready, won the 2020 Indigenous Voices Award. Jessica Mensch interviewed her this summer at her home.
Atomic Culture is a curatorial platform founded by Mateo Galindo and Malinda Galindo. They collaborate with artists on site-specific projects that reimagine the outlook of our cities.
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