A. E. Stallings on Ernest Hilbert’s Last One Out | Review
Jan Balabán’s Maybe We’re Leaving | Review
For foreign readers, Balabán's work might represent an attractive mixture of the familiar and exotic.
Elizabeth Knapp’s Requiem with an Amulet in Its Beak | Review
An at-times crushing, always beautiful chronicle of sorrow and its afterlife, Requiem with an Amulet in Its Beak will haunt you long after you’ve turned its final page.
The Night Circus | Review
To represent this life requires something out of the ordinary and in this diverse collection Uršula Kovalyk has found the imagery, focus, language and daring to have created something legitimately new.
And My Head Exploded | Review
This anthology broadens English-speakers’ perception of Czech culture by bringing new authors into the canon, and it clearly shows that, even in the 19th century, Czech literature was not simply a reflection of the Czechs’ search for a national identity.
Osip Mandelstam’s Selected Poems, Translated by Alistair Noon | Friday Pick
Starting with Mandelstam’s first book Stone and ending with his late uncollected poems, Noon's translations preserve the icy perfection of Mandelstam’s rhymes and rhythmic patterns.
Thin Rising Vapors by Seth Rogoff | Friday Pick
Rogoff’s strategy in portraying Abel’s solitary drama is to show it as the conflict between dimensions that are fundamentally at odds with each other: theory and practice, past and present, biology and soul.
Ailbhe Darcy’s Insistence | Friday Pick
Lines of poems by others are at the tips of Darcy’s fingers throughout Insistence pinned down into her own sinuous, insinuating lines.
Donald Hall (1928-2018)
Donald Hall was an inveterate New Englander. His life and work grew out of, and outgrew, his New England upbringing and residence, and even the concept of poetic place.
Julian Barnes, The Only Story | Friday Pick
The novels of Julian Barnes always have two levels: the worldly level on which the plot unfolds, and the second level, which is pure thought.