Osip Mandelstam’s Selected Poems, Translated by Alistair Noon | Friday Pick

  Concert at a Railway Station: Selected Poems By Osip Mandelstam Translated by Alistair Noon Shearsman Books 142 pages Born in 1891,...
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Seth Rogoff, Thin Rising Vapors

Thin Rising Vapors by Seth Rogoff | Friday Pick

Rogoff’s strategy in portraying Abel’s solitary drama is to show it as the conflict between dimensions that are fundamentally at odds with each other: theory and practice, past and present, biology and soul.

Ailbhe Darcy’s Insistence | Friday Pick

Lines of poems by others are at the tips of Darcy’s fingers throughout Insistence pinned down into her own sinuous, insinuating lines.

Donald Hall (1928-2018)

Donald Hall was an inveterate New Englander. His life and work grew out of, and outgrew, his New England upbringing and residence, and even the concept of poetic place.

Julian Barnes, The Only Story | Friday Pick

The novels of Julian Barnes always have two levels: the worldly level on which the plot unfolds, and the second level, which is pure thought.

QUAD by Alistair Noon | Friday Pick

Despite my characterizing of Quad as elliptical, there is a clear distinction between narrative disjunction (abundant) and the formal repletion and bevelled finish of Noon’s quatrains (also abundant).

Red: The History of a Color | Friday Pick

Pastoureau’s description of the development of our associations with red is revealing, both of the color and ourselves.

The Blind Man: Dada’s New York Incarnation | Friday Pick

These are innovative intellects poking fun at convention and making timeless art while they're at it. What a refreshing project and publication.

Alice Oswald’s Falling Awake | Friday Pick

Oswald writes poetry that combines a fascination with traditions of the distant past with a genuine interest in digging beneath the surface of all things to find layers that beg to be translated into words.

Stephanie Burt’s Advice from the Lights | Friday Pick

Burt’s riddles are a clever solution to the problem of how to communicate specific personal experience in a way that maintains a modicum of the universal, a problem she has explored in her criticism.

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