Vitezslav Nezval’s Bizarre Town, Animated by Ken Nash
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Justin Quinn: Bohuslav Reynek’s Journeys
By remembering how many foreign debts anglophone poetry has accrued over the centuries of its existence ... we are reminded that a poet like Reynek, who seems to emerge from a faraway country of which we know little, is part of the same tradition ... This is lyric poetry of a type in which the poet uses certain patterns of rhyme and pacing that many previous generations have. It is a way of finding likenesses in both words and the world, or sometimes impressing phonic likenesses on disparate experiences, and savoring the phases of that difference.
Kamil Bouska
You're coming and my fever rises. I've tasted this before. / I'll leap into the wafted air and go for blood.
Richard Weiner
It’s a table, and more than that it’s a hideout, an impregnable hideout. He’d be happy to see someone dare rise, approach, and address him: “Sir, I’ve had enough of you, get up, scram.”
Daniela Hodrova
I am the revolution in flats where glass cabinets with Bohemian crystal are moved into entryways so that the crystal may endure the revolution. When there’s shooting, the crystal rings softly, but endures.
Hana Andronikova
The stars. Flickering lights in the darkness. I taught myself to recognize them. The Moon was a mute confessor who knew my secrets and innermost wishes. I had millions of plans and yearnings, but they were invariably conflated into one wish: I wanted it to be the end. The end of the war meant Mom would return home.
Pavel Srut – Part 3
FATHER, THE VIOLINMAKER DOESN'T DRY / the cat gut, he goes out into the darkness / and won’t return to the light again. I hardly / ever meet him, even // if I keep my shoes on in bed / with each woman I sleep with...
Pavel Srut – Part 2
Meanwhile, she’ll choke / the duckling with the same / devotion she’ll use / a moment later to perform / its funeral in the yard. // Meanwhile, she’ll feel as sorry / for the bark of a sapling gnawed by a rabbit / as she feels for the rabbit’s hunger. / There’s no edge, everything’s round...
Pavel Srut – Part 1
Silently, the silent mold / sounds its tenuous / bell. A woman lies down / beside me, her head // a huge washed beetroot.