CACHE LA POUDRE
Tonight the cicadas are deafening.
Nothing to do but lean into despair
the way one leans into a mirror.
All summer you’ve been dying
in the shopping cart of my mind.
I fill it up with bottles of vinegar.
The river is lonely. It has no home.
Soon your voice will be everywhere.
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ELIZABETH KNAPP is the author of The Spite House (C&R Press, 2011), winner of the 2010 De Novo Poetry Prize. The recipient of awards from Literal Latté and Iron Horse Literary Review, she has published poems in Best New Poets, The Massachusetts Review, Mid-American Review, Spoon River Poetry Review, and many other journals. She teaches at Hood College in Frederick, Maryland.
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Read more by Elizabeth Knapp:
Author’s Website
Poem in New Orleans Review
Poem at Literal Latté
Poem in Spoon River Poetry Review
Three poems in The Adirondack Review
it might be said that whoever planted their heels /
against the uprooted soil and lit a match against /
a mute sky / disconnected night did not /
set fire to but merely blew a spark
A dog growled and barked. Good dog, / I heard, unsure if it was my voice / or my dog.
The dementia fractures her /
the same way ice splits a rock.
Pascal drops a quarter in the slot,
and the Gypsy Queen shuffles the deck.
So many people in the world. Truly, is no one superfluous?
The door always used to swing shut, by itself, for years and years, with measured haste. / Now it stands utterly still.
You tell yourself you’re immune, always, but then D appears, if not exactly out of the shadows then like a river of milk flooding the kitchen.
Water cress. Watercress. From the cognate in Middle Low German and Dutch. Waterkers. Pliny the Elder, in his History of the World—why aren’t there more books of this name—describes its roots as “effectual,” or so says the O.E.D.
it signifies some terrible and unwanted part of myself has been skillfully excised and that now it rushes off, most likely to be run over by a fully loaded tractor-trailer, screeching...
How hard the mountain tries to become the wind. How hard the wind tries to become a flame. How hard the flame tries to become a mountain. And the mountain, how it pretends not to notice the moon’s secret moves, what a torn moon rising from its mirror.
