Watch Joshua Weiner and Emily Berry read and answer questions during a live-streamed online Transatlantic Poetry reading hosted by B O D Y
Transatlantic Poetry is an innovation in poetry readings, allowing poets in different locations to read together in front of a live internet audience.
Reader bios:
EMILY BERRY is an editor of the anthology series Stop Sharpening Your Knives. She is an Eric Gregory Award winner and her debut collection of poems, Dear Boy (Faber), recently won both the Forward Prize and The Felix Dennis Prize for best first collection.
JOSHUA WEINER is the author of three books of poetry, The World’s Room, From the Book of Giants, and most recently, The Figure of a Man Being Swallowed by a Fish (2013). He is a recipient of the Whiting Writers’ Award, the Rome Prize from the American Academy of Arts and Letters, an Amy Lowell Poetry Travelling Scholarship, and a Guggenheim Fellowship (2013-2014).
In our latest interview, we talk to David Biespiel about his latest volume of poetry, Republic Café, a long poem that explores the radical intimacy of public trauma and what it means to inhabit the reality of the body politic within one's own skin.
Reaching into the world, Fahey’s airy yet mysteriously twisted, intertwining sculptures clamber in quiet, protean volatility.
The paradox of the beauty and violence, the fragility and the rupture, the seductive and the uncomfortable, makes it possible to have an active viewer - someone who would stay to question, wonder, reflect, scrutinize.
US poet Francesca Bell recently interviewed German poet Max Sessner for B O D Y about his work, some of his thoughts on poetry and his upcoming book of poems, Das Wasser von Gestern.
Part of my fascination with the mirrored surface is that it always reveals to you something other than itself. When you create a completely mirrored space, in your mind you see an infinite space, even if you know there are physical limits to this space.
Animated excerpt from Czech surrealist poet Vítězslav Nezval's poem cycle "Bizarre Town." Translated by Stephan Delbos and Tereza Novická. Published in The Absolute Gravedigger by Twisted Spoon Press, 2016.
And then, there was the fall of the Berlin Wall, and everybody was sure that the best of times had come for literature. Instead of that we were faced with an artistic desert and lack of ideas.
I guess in some ancient models the masculine is the sky and the earth is the feminine, the fertile. But in this, it’s not exactly like that, if anything the masculine lover is the one that comes from underneath.
Barkley's work repositions the figure, as seen in Roman and Christian mythology, somewhere between current conceptions of figuration in painting and photography, and a more personal and oftentimes autobiographical context.
Montréal-based video artist Sabrina Ratté uses a unique combination of analog video synthesizers and mixers, and digital editing software to create surreal and moving future-scapes that confuse the boundary between architectural space, landscape and the imagination.
