Kristen Kosmas – Part 5

 

from A CERTAIN QUANTITY OF ACCURATE DESCRIPTIONS

plays for the mental theater
 

Editor’s Note: This is the fifth and final part in a weekly series of texts from a new work by Kristen Kosmas.

Read Part 1 here
Read Part 2 here

Read Part 3 here
Read Part 4 here

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#7. DESCRIPTION FRAGMENT BROKEN OFF A DESCRIPTION OF SOMETHING LARGER.

 

A scroll of paper is unwound
out of the mouth of the bird,
out of its beak.

On the paper are the words:

 
	You are not a box.
	
	You are not a cabinet.
	
	Between all things 
	
	that appear to be touching,
	
	that appear to touch,
	
	there is still space.

	You are not an ashtray.
	
	A roller skate.
	
	You are not even like
	
	an ice cube.

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Click here to read Part 1.
Click here to read Part 2.
Click here to read Part 3
Click here to read Part 4.

Click here to read an interview with Kristen Kosmas in B O D Y.
 

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KRISTEN KOSMAS is an American playwright and performer. She has had new works commissioned by The Chocolate Factory (NYC), Performance Space 122 (NYC), The Theatre of a Two-Headed Calf (NYC), Seattle University’s SITE Specific, Dixon Place (NYC), and the New City Theater in Seattle. Her plays (see links below) and solo performances have been presented in Boston, Seattle, Chicago, Austin, and many downtown venues in New York City. She is the writer/performer of four critically acclaimed solo shows: Blah Blah Fuckin Blah, Again, Slip, and The Scandal! As an actor, she has appeared in many notable new plays including Potatoes of August by Sibyl Kempson, Mark Smith by Kate Ryan, ASTRS and Some Things Cease To Be While Others Still Are by Karinne Keithley, The Internationalist by Anne Washburn, Producers of Fiction by Jim Strahs, The Florida Project by Tory Vazquez, and Hurricane by Erin Cressida Wilson. Ms. Kosmas is a founding member of the OBIE Award winning performance series Little Theater; the Brooklyn-based experimental writer’s collective The Ladies’ Auxiliary Playwriting Team/Machiqq; and The Twenty-Five Cent Opera of San Francisco, a monthly event for the enactment of texts and theatricals. She holds a BFA in Playwriting from Brooklyn College. She is an Assistant Professor of Theatre at Whitman College and a member of New Dramatists in NYC.

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Read more work by Kristen Kosmas:

 
Buy Hello Failure from Ugly Duckling Presse.
Buy This From Cloudland from PLAY A Journal of Plays
Buy Anthem and The Mayor of Baltimore from 53rd State Press.
A rave review of There There in The New York Times