PARABLE
The first time I saw a bone break
it was an arm. The girl kicked and screamed
to escape her body, twisting on the floor.
It was too much to have a body.
Later, when I broke my own, it was different:
I didn’t try to get away. I stayed in the body
against the swelling that sought to force me out,
picked up my fractured elbow, knee bone,
and carried my body home. Listen, all you
I love, don’t think there’s anywhere else to go.
You must stay in the body too.
Promise me this, and I’ll stay with you
down here with the prick of grass on our legs,
the sun’s heat coming back up through the earth.
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KATIE HERMAN grew up in New Orleans, spent nine years in New York, and now lives in Washington, DC. She is the Assistant Poetry Editor for Sakura Review, and her poetry has appeared in the Mississippi Review. She has an MFA in poetry from the University of Maryland, College Park, where she teaches writing and literature.
If they would stay just where they are all morning, /
they’d be the monument to the history they’re looking for.
Rain falls on the wedding /
a hole in the church is suspected /
and the blessing jumps crazily /
from umbrella to umbrella
“You will crush our enemies or I will crush you,” the voice commanded. “These are my neighbors,” I said. “I don’t get along with most of them, but I wouldn’t want to crush them.” “It’s them or you,” the voice said.
Little Shorts, sharpen your keys and clutch them like knives. //
When you’ve got nothing else, go for the eyes.
He sang /
like a gas station on a black summer night.
you stand a long time /
by the creek, then /
feed it two pennies, /
one for you, one /
for the love /
inside you that /
you can do nothing /
with or about.
A talisman against the agony /
in his knees and hips //
for which he was taking /
black-market fentanyl
I greet your gliding flight O wings of death / But there are other signs too
realizing that the horizon is a line constituting an intersection between at least two systems, the inner and the outer one. Between an observer on the move and the roads within the landscape ...
the story / the two white women will not retract, despite the fact /
that inside each story we tell another writes itself
