Camelot Revisited: On Bob Dylan, JFK, “Murder Most Foul,” and the Vacuum in America

Here’s hoping the country that produced Dylan, lost Kennedy, and is either entering into or slowly emerging from the “slow decay” predicted in “Murder Most Foul,” can finally see the light too and reckon with its painful history.
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Andy Van Dinh

Interview with artist Andy Van Dinh

One is immediately taken by the ethereal and symbolically rich nature of his work. His approach to drawing is so unique that in person it is difficult to tell what medium he is working in.
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Mirjam Frosth

Here is the image of a wife
in a thatched smokehouse––
she sleepwalks from fire
to fire, setting start again.
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Tony Gloeggler

Afraid / to ask, I wonder if Joko was tested. / I don’t want to put him on the spot / and I know I’d think less of him / if he gave the wrong answer.
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Justin Lacour

slut, thug, doper, bitch, her voice never rising above a whisper. These words may make you uncomfortable.
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Andy Van Dinh
Andy Van Dinh

Interview with artist Andy Van Dinh

Mirjam Frosth

Tony Gloeggler

Justin Lacour

Richard Jackson

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Tony Gloeggler

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Camelot Revisited: On Bob Dylan, JFK, “Murder Most Foul,” and the Vacuum in America

Parnaz Foroutan

Christopher Fahey: Nurtured Forms

Siegfried Mortkowitz

Tom Pickard’s FIENDS FELL | Review

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Friday Pick: Elizabeth Knapp’s “Requiem with an Amulet in Its Beak”

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Osip Mandelstam’s Selected Poems, Translated by Alistair Noon | Friday Pick

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Art

Andy Van Dinh

Interview with artist Andy Van Dinh

Andy Van Dinh

INTERVIEW WITH ARTIST ANDY VAN DINH

Christopher Fahey: Nurtured Forms

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