The Fall Issue | 2024
At long last, our Fall 2024 issue is here. Check back daily throughout the month of November to read a true harvest of poems, stories, art, and criticism that we’ve curated for you this autumn.
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At long last, our Fall 2024 issue is here. Check back daily throughout the month of November to read a true harvest of poems, stories, art, and criticism that we’ve curated for you this autumn.
It’s something about the goats. / When I go to see them, they rush / to the side of the pen where I stand
When the rain slowed, I walked the dog / from whom I wrested one bottlecap, one shoe. // Clicked on a link to a network of bail funds, / found my country, my state. Hovered.
For a moment, the whole pub seemed paralysed by the affront. It’s him, it’s him, he doesn’t want beer, he doesn’t want beer—the words carried from one table to the next, and the spark jumped all the way outside.
My strangeness as unsavable / as the herd / on the other side of this wall / that will, at a single sound, run full
I am learning what men do and why they do it. Today, my father / teaches me fear. Mother watches from the house. I watch
It’s something about the goats. / When I go to see them, they rush / to the side of the pen where I stand
How many times did I tell the children? We got this by a stroke of luck, and to luck it might return. Don’t fold it
Mom ruined her $350 wedding dress running barefoot through a cornfield. The hem gathered silky topsoil like the wind.
I got spit on while I was walking down the street, going home after a bad date with the son of a guy who wrote
I have never had a particularly good imagination. Really, it’s kind of dire. It irritates my wife that I can’t imagine a future. I’m not
The fire on the American mountainside was dying down. My thought was that horror cannot be cheated if hope is to become believable.
There must be thousands of us non-Southerners with similar secret histories, people who profited from the crime of slavery and continue to do so.
Hostovsky’s fondness for words and keen ear for spoken language benefit his writing: he can record and create dialogue in a brilliant and natural way. In this respect, he has more in common with short-story writers than with most contemporary poets, who tend to avoid direct speech.
W. H. Auden once said that poets should dress like businessmen. Thom Gunn preferred leather and chains.
These four poets and their recent books are representative of the poetry currently being written in Southwest England and the country more broadly.
Anna Hawkins is an artist who works primarily in moving image and installation with an interest in the ways that images, gestures and language are circulated and transformed online and the impacts of technology on the intimate spheres of daily life.
Weaving together disparate references spanning across histories and geographies, German interdisciplinary artist Johanna Strobel explores the entanglement between philosophy, semiotics, and actuality.
Padma Rajendran’s works on fabric experiment with the clash and combination of patterning and storytelling. She received her MFA from Rhode Island School of Design and teaches drawing at Vassar College.
“The biggest challenge of translating Sachs into English, for me, had to do with tracking the movement of her mind in the forming of a poem.”
The Russian Civil War was a truly terrible event in terms of awful acts of atrocious violence, but there’s also a weird sense of farce about this, of history being played at the wrong speed.
Andrey Filimonov comes from Tomsk, the 400-year-old “Athens of Siberia” and center of White Russian resistance during the Russian Civil War.
© 2024 | B O D Y | bodyliterature.com
