In that steam bath, where everyone was soaked to the skin, our completely dry hands touched. My mouth had also dried up from excitement, and I was sure hers had too.
“I’m serious, man. Please. I need arms,” the snowman interrupts us. “Where am I supposed to get you arms?” I’m getting irritated. I’m starting to get really cold. “How about the morgue,” the snowman suggests. “Are you crazy?” “I don’t have much time left. I’ll melt soon. Couldn’t you do this for me? Run to the morgue and get me some arms. Dead people don’t need arms.
He invited Sabina to dance, reached out and pulled her up. Karolko sat in the wardrobe playing Romany dance tunes but Olda asked for Roll Out the Barrel and later the Firemen’s Song. They danced on the table making the cats run for cover under the wardrobe, meowing mournfully.
As far as I’m aware, none of the big shots in the Third Reich was a sadist.
Nothing matters except the movement itself. The way I walk. I am aware of the present. I am here and now.
He examined my testicles and after feeling them for a while he made an announcement that turned out to be quite crucial later on: “Don’t procreate, comrade! Don’t ever procreate because you will father a beast.”
Father comes home on the weekends and shoots sparrows. He’s not allowed to live with us, he’s a bourgeois element. Once, when our life wasn’t happy yet, he helped rich people get even richer and exploited the proletariat. He was a lawyer with his own office, and wore a white shirt and tie.
“Don’t come near me!” she shrieked again and snatched up a knife from the table. She waved it in front of her like a medieval knight and then aimed its point at the man’s heart. “And now tell me the truth, who are you really and what are you looking for?”