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Daniil Kharms

  FOUR ILLUSTRATIONS OF HOW A NEW CONCEPT ASTOUNDS A PERSON WHO ISN’T READY FOR IT   WRITER: I am a writer! READER: Аnd I...
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Image by © Christof Schuerpf/Keystone/Corbiss

Jean-Luc Godard

I do not want to die without having seen Europe happy

Ariel Stess

Ariel Stess

I don’t know. She just says, “heartbreak, what to do about that”?

An excerpt from HEARTBREAK, a new play by Ariel Stess

Frank Boyd performs The Holler Sessions. photo by John Ulman.

Frank Boyd

listening is like helping somebody shit into a bag

A scene from "A Beautiful Day in November on the Banks of the Greatest of the Great Lakes" with, from left, Mia Katigbak, Evan Thompson, Brooke Ishibashi, Nina Hellman, Heather Alicia Simms, Christian Felix and Jessica Almasy. Credit Jessica Osber

Kate Benson: Interview

B O D Y editor Ben Williams interviewed playwright and performer Kate Benson in New York on October 3, 2014. Her play A BEAUTIFUL DAY IN NOVEMBER ON THE BANKS OF THE GREATEST OF THE GREAT LAKES will be remounted in January at City Center, Stage II – Women’s Project space.

photo by Brett Beyer

Kate Benson

The OCD is a strong flavor in this family brew.

vivienne jens garden

Vivienne Walshe

What do you people do around here? In this town? Bucket bongs. Donuts down the back paddock. But they mean well.

Rafael Sanchez and Jim Fletcher in 2008. Photo by Shana Fletcher.

Rafael Sanchez

I guess in some ancient models the masculine is the sky and the earth is the feminine, the fertile. But in this, it’s not exactly like that, if anything the masculine lover is the one that comes from underneath.

Okwui Okpokwasili performs her solo show BRONX GOTHIC.

Okwui Okpokwasili

Dear You, Cause I’m not gonna say you’re name you’re such a wrong bitch.

Tina Satter

Tina Satter: Interview

"That’s your original figuring-out how complicated love is, actually, is your fucked up family, right?"

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