Although figuration in painting has come back into fashion, Delphine Hennelly's work stands out by decisively presenting a system of signs and symbols that include the figure, while forgoing the more blatant illustrative function of such elements.
Momi was born such an extraordinary beauty that, upon her delivery, the doctor grappled her tightly in his arms and ran around the clinic, like some ancient tribal wizard, to announce her arrival.
Even when you think / you are touching someone / you never truly are
We study things ad absurdum, those with wings / our cousins or so the DNA testifies
I was one of / a hundred other women / bathing in the film